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Movie Reviews
Reviews are contributed by Dr. Usman khawaja.
Courtesy : Romuz Uddin
witnessed in world cinema ,let alone Indian cinema and the lyrical editing and the melodiously haunting background score only enhance the affect of being in religious sanctuary. The powerful finale is executed in a subtle manner, which has never been witnessed in Hindi cinema and will thaw the most cynic critics of their bias against this genuine classic.
       Ultimately, the applause goes to Pankaj Kapoor, the meticulous script and the immaculate direction, which captivates you from the opening, credits, which are a treat in them self to the ultra humane finale, which is beyond, praise and will pierce your heart and melt your soul.
        The questions about religious morality and ritual ambiguity have been challenged and answered as never before, with a haunting and languidly shot and scored masterpiece which needs to be seen by one and all, the accusations against Bollywood of being sentimental and predictable will never be relevant after this extremely intelligent and thought-provoking yet enthralling religious drama penned with painstaking accuracy by a literary intellectual who does not sacrifice or makes any compromises at the altar of cinematic purity but pays a great tribute to human faith which is
Dharm
Director : Bhavna Talwar
Cast : Pankaj Kapoor,Supriya Pathak, Pankaj Tripathy,Hrishita Bhatt,Krish Parekh,K.K.Raina, Daya Shankar Pande
Producer : Bhavna Talwar
Music: Debojyoti Mishra
fasts to cleanse his body and soul of the alleged misdeed of bringing a non -Brahmin child to his home, he cannot tear
the memory of the tiny soul he has reared as his scion from his psyche.
     The most critical ostracism is exorcised by local politicians who inflame the circumstances to incite a communal riot and the target is the Muslim minority and the child at the heart of the controversy, this is the most challenging premise I have seen in Indian cinema for decades and the narration is absolutely stunning and will mesmerize you with its profound intelligence and visually stark reality.
     The camera is wielded by a woman who knows the sensitivities she is challenging and she triumphs at every level from the ravishing dawns and dusks of the Ganges river to the astoundingly authentic locales and lifestyle of the orthodox Hindu community, her techniques are as flawless as the purity of the concept and the philosophy as dictated by the scriptures is captured cinematically with a vast horizon which is India itself rather than as verbose sermonizing,this is a religious debate which has never been
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